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Das "Haus der Transformation" versteht sich als Plattform innerhalb der HTW Berlin, die Studierende, Lehrende, Forschende und Akteur_innen aus Wirtschaft, Politik und Zivilgesellschaft vernetzt und die vielfältigen Engagements in den Bereichen Zukunftsfähigkeit und Nachhaltigkeitstransformation bündelt. Gemeinsam sollen interdisziplinäre Transformationsprojekte geplant und ihre Sichtbarkeit erhöht werden. Im Fokus stehen zukunftsfähige Projekte und Transformationsgedanken mit regionalem Bezug. Zu den Projekten gehören
Making the invisible, visible
Imagining a better future for the repair & reuse economy in Kenya
Imagining a better future for the repair & reuse economy in Kenya
But inside the square-mile slum, made famous in the movie "Slumdog Millionaire," is a bustling micro-economy filled with industry and commerce that generates some $665 million per year, according to Reality Gives, a non-profit that runs tours of Dharavi and uses the money to run community centers and classes for its 1 million residents. The workers and residents of Dharavi export leather goods, suitcases, baked goods, textiles, stoves, and an array of other products into the broader Indian economy.
The 13th Compound is at the heart of Dharavi’s recycling industry. An estimated 80% of Mumbai’s plastic waste is recycled in the slum, in some 15,000 single-room factories.
Inside the beehive of Mumbai’s central slum, skilled teams of small-scale manufacturers – from leather workers to garment stitchers – form a shadow world that the government refuses to recognise
Over the years, Dharavi dwellers have created an industrial economy in Mumbai, creating employment opportunities for the recycling of Mumbai’s waste, an undertaking that arguably should be addressed by local councils.
RREUSE is an international network representing social enterprises active in re-use, repair and recycling.
The linear ‘take, make, use, and dispose’ economy is driving the climate emergency. Extraction and processing of natural resources make up half of the total global greenhouse gas emissions and over 90% of water stress and biodiversity loss impact, according to the International Resource Panel. Product re-use and repair are the building blocks of circular economy, which can contribute to climate change mitigation by preventing resource depletion, diverting products and materials from landfills and incineration (therefore preventing associated emissions), and reducing energy demand.
MARR’s mission is to challenge the perception of waste culture by providing a unique platform for artists at the intersection of art, community, and waste systems. The Moab area is highly impacted by the tourism industry and, as a result, waste management. By facilitating artists’ direct engagement with the waste stream, MARR encourages resident artists to consider their studio practice through the lens of sustainability and to thoughtfully re-assess their processes of material sourcing and waste disposal.
Through a 4-week residency, the program offers artists studio space, project and community facilitation, a stipend, access to materials at local waste disposal sites, and the time and space to focus solely on their art. As a component of each residency, artists spend time providing opportunities for learning, dialog and enrichment within the community.
Through a 4-week residency, the program offers artists studio space, project and community facilitation, a stipend, access to materials at local waste disposal sites, and the time and space to focus solely on their art. As a component of each residency, artists spend time providing opportunities for learning, dialog and enrichment within the community.
THIS IS DISTRIBUTED DESIGN - DOCUMENTARY
We are building a community of fibre and dye growers, processors, makers and manufacturers across the South West to start a conversation about how we can produce more home-grown textiles and garments in a more healthy, resilient and regenerative textile ecosystem.
Collaborating with lead partner, MaticHub in Cebu, Philippines, we have been researching indigenous materials native to the Tay and wider region. Our researcher, Steph Liddle, shares what she discovered.
Fixperts is a learning programme that challenges young people to use their imagination and skills to create ingenious solutions to everyday problems for a real person. In the process they develop a host of valuable transferable skills from prototyping to collaboration.
Fixperts offers a range of teaching formats to suit schools and universities, from hour-long workshops, to a term-long project, relevant to any creative design, engineering and STEM/STEAM studies.
Fixperts offers a range of teaching formats to suit schools and universities, from hour-long workshops, to a term-long project, relevant to any creative design, engineering and STEM/STEAM studies.
Salvage – a term that, in English, was originally associated with the payment received ‘for saving a ship from wreck or capture’ – only came to describe the act of saving itself in the late 19th century with the dawn of the salvage corps. As cities grew, and the risk of large-scale property loss became more central, insurance underwriters found it profitable to establish fire salvage services to reduce losses. A later meaning, evolving during WWI, refers to the ‘recycling of waste material’: put explicitly, the combing of battlefields by the British Army’s Salvage Corps (a ghoulish double entendre), which re-purposed the parts and property of fallen machines and soldiers for continuing use in the war effort.
Of all the mysteries and injustices of the McDonald’s ice cream machine, the one that Jeremy O’Sullivan insists you understand first is its secret passcode.
Press the cone icon on the screen of the Taylor C602 digital ice cream machine, he explains, then tap the buttons that show a snowflake and a milkshake to set the digits on the screen to 5, then 2, then 3, then 1. After that precise series of no fewer than 16 button presses, a menu magically unlocks. Only with this cheat code can you access the machine’s vital signs: everything from the viscosity setting for its milk and sugar ingredients to the temperature of the glycol flowing through its heating element to the meanings of its many sphinxlike error messages.
“No one at McDonald’s or Taylor will explain why there’s a secret, undisclosed menu," O’Sullivan wrote in one of the first, cryptic text messages I received from him earlier this year.
As O’Sullivan says, this menu isn’t documented in any owner’s manual for the Taylor digital ice cream machines that are standard equipment in more than 13,000 McDonald’s restaurants across the US and tens of thousands more worldwide. And this opaque user-unfriendliness is far from the only problem with the machines, which have gained a reputation for being absurdly fickle and fragile. Thanks to a multitude of questionable engineering decisions, they’re so often out of order in McDonald’s restaurants around the world that they’ve become a full-blown social media meme. (Take a moment now to search Twitter for “broken McDonald’s ice cream machine” and witness thousands of voices crying out in despair.)
Press the cone icon on the screen of the Taylor C602 digital ice cream machine, he explains, then tap the buttons that show a snowflake and a milkshake to set the digits on the screen to 5, then 2, then 3, then 1. After that precise series of no fewer than 16 button presses, a menu magically unlocks. Only with this cheat code can you access the machine’s vital signs: everything from the viscosity setting for its milk and sugar ingredients to the temperature of the glycol flowing through its heating element to the meanings of its many sphinxlike error messages.
“No one at McDonald’s or Taylor will explain why there’s a secret, undisclosed menu," O’Sullivan wrote in one of the first, cryptic text messages I received from him earlier this year.
As O’Sullivan says, this menu isn’t documented in any owner’s manual for the Taylor digital ice cream machines that are standard equipment in more than 13,000 McDonald’s restaurants across the US and tens of thousands more worldwide. And this opaque user-unfriendliness is far from the only problem with the machines, which have gained a reputation for being absurdly fickle and fragile. Thanks to a multitude of questionable engineering decisions, they’re so often out of order in McDonald’s restaurants around the world that they’ve become a full-blown social media meme. (Take a moment now to search Twitter for “broken McDonald’s ice cream machine” and witness thousands of voices crying out in despair.)
The Institute of Making was founded by Zoe Laughlin, Mark Miodownik and Martin Conreen in 2010* in order to celebrate and explore the relationship between materials and processes. It became part of University College London (UCL) in 2012, and opened the current space on Malet Place (London, WC1E 7JE) in March 2013.
At the heart of the Institute of Making is the Materials Library – a growing repository of some of the most extraordinary materials on earth, gathered together for their ability to fire the imagination and advance conceptualisation. A place in which makers from all disciplines can see, touch, research and discuss, so that they can apply this knowledge and experience to their own practice.
At the heart of the Institute of Making is the Materials Library – a growing repository of some of the most extraordinary materials on earth, gathered together for their ability to fire the imagination and advance conceptualisation. A place in which makers from all disciplines can see, touch, research and discuss, so that they can apply this knowledge and experience to their own practice.
Designer, maker and materials engineer Zoe Laughlin dismantles and dissects three classic items to understand the wonders of form, function and material that go into making them, before building her own truly bespoke versions, step by step.
I felt a bit embarrassed putting this site together as it seemed a bit like vanity publishing. At times it was also an odd feeling, 'editing' my past. But then, I had all the images and it seemed a waste to let them rot, and I wanted to try doing a website. Practically, it will also be useful for anyone interested in commissioning work to look at my past stuff.
We wanted to create a game that would resonate with the experience of real people. The story mode of Common’hood is a story based on real world events, as factories fail and become abandoned, many citizens lose their jobs, get evicted and end up in the street. In a way we are talking of communities at the edge of homelessness. Debt is problem for many and we wanted to create a game that would give a sense of hope in terms of the empowerment obtained from making things with your own hands. The work of Ron Finley, has been particularly inspirational. Common’hood tries to engage real issues and share recipes for autonomous communities to become empowered and resilient. We hope to be able to develop a community around the game and grow the project organically for many years.
The Haul Earth Ledger is an opensource fundraising platform aiming to facilitate the transition from a consumer society to a creative, inventive, expressive society. Drawing from similar efforts before it like the Whole Earth Catalog, the Ledger collects tutorials which look at consumer goods as raw materials for further experimentation.
In doing so, the team aims to question the power of the few remaining consumer brands out there clinging to power, while ensuring the lifecycle of these devices is extended to the best of our community's capacity. This, we hope can contribute acknowledging and alleviating the burden our lifestyles have been for our home, the Earth.
In doing so, the team aims to question the power of the few remaining consumer brands out there clinging to power, while ensuring the lifecycle of these devices is extended to the best of our community's capacity. This, we hope can contribute acknowledging and alleviating the burden our lifestyles have been for our home, the Earth.
Don’t let the name fool you: WesternTrash is waste-neutral and 100% sustainable. The materials are upcycled or recyclable, the packaging is reusable, and bottles are sourced locally in Berlin. It’s about taking trash out of the system without putting any back.
Critical Jugaad is jugaad done as an act of everyday resistance and survival. Critical Jugaad is a term I have coined that is based on an inquiry that explains how people use ingenious making practices like jugaad as a tool for resistance, subversion and criticality against colonial powers of oppression. Jugaad is a Hindi term which means making do with what you have at hand. Jugaad-like practices form cultural binders and empower people to find a collective force to fight oppression while practicing creative self-expression.
Cette formation permettra d’approfondir les notions clés de la commercialisation d’objets de réemploi pour proposer une offre de produits attractive, des animations commerciales adaptées dans un espace de vente bien organisé.
Il s’agit d’un module d’approfondissement complémentaire de la formation « Métier d’agent valoriste » proposé par les Ecossolies. Il peut être suivi indépendamment du parcours.
Public concerné
Toute personne travaillant dans une structure du secteur réemploi/recyclage ayant une activité commerciale (gestion d’un point de vente, participation à des événements commerciaux). Pour les personnes en reconversion professionnelle ou portant un projet d’entrepreneuriat dans le secteur du réemploi, merci de nous contacter pour étudier les possibilités de suivre la formation.
Cette formation est ouverte aux personnes en situation de handicap.
Si vous êtes est en situation de handicap, nous vous invitons à nous contacter rapidement pour étudier et confirmer les possibilités d’accueil en formation, et mettre en place les moyens nécessaires à votre participatio
Il s’agit d’un module d’approfondissement complémentaire de la formation « Métier d’agent valoriste » proposé par les Ecossolies. Il peut être suivi indépendamment du parcours.
Public concerné
Toute personne travaillant dans une structure du secteur réemploi/recyclage ayant une activité commerciale (gestion d’un point de vente, participation à des événements commerciaux). Pour les personnes en reconversion professionnelle ou portant un projet d’entrepreneuriat dans le secteur du réemploi, merci de nous contacter pour étudier les possibilités de suivre la formation.
Cette formation est ouverte aux personnes en situation de handicap.
Si vous êtes est en situation de handicap, nous vous invitons à nous contacter rapidement pour étudier et confirmer les possibilités d’accueil en formation, et mettre en place les moyens nécessaires à votre participatio
1. Acquérir un "socle commun" : maitriser ce que représente et pèse le secteur du réemploi et de la gestion des déchets (enjeux, organisation, acteurs majeurs)
2. Situer le rôle d’agent valoriste dans ce panorama, et à son échelle, par des approches liées à la technique et à la posture professionnelle
Pour qui ?
Cette formation est ouverte aux personnes travaillant dans une structure du secteur du réemploi, du recyclage dans l’ESS, ou exerçant des fonctions en lien avec la collecte, le tri et la valorisation d’objets et matériaux au sein de collectivités et opérateurs privés.
Pour les personnes en reconversion professionnelle ou portant un projet d’entrepreneuriat dans le secteur du réemploi, merci de nous contacter pour étudier les possibilités de suivre la formation.
Cette formation est ouverte aux personnes en situation de handicap.
Si vous êtes est en situation de handicap, nous vous invitons à nous contacter rapidement pour étudier et confirmer les possibilités d’accueil en formation, et mettre en place les moyens nécessaires à votre participation.
2. Situer le rôle d’agent valoriste dans ce panorama, et à son échelle, par des approches liées à la technique et à la posture professionnelle
Pour qui ?
Cette formation est ouverte aux personnes travaillant dans une structure du secteur du réemploi, du recyclage dans l’ESS, ou exerçant des fonctions en lien avec la collecte, le tri et la valorisation d’objets et matériaux au sein de collectivités et opérateurs privés.
Pour les personnes en reconversion professionnelle ou portant un projet d’entrepreneuriat dans le secteur du réemploi, merci de nous contacter pour étudier les possibilités de suivre la formation.
Cette formation est ouverte aux personnes en situation de handicap.
Si vous êtes est en situation de handicap, nous vous invitons à nous contacter rapidement pour étudier et confirmer les possibilités d’accueil en formation, et mettre en place les moyens nécessaires à votre participation.
Für Upcycling schlägt mein Herz! Materialien, die eigentlich Müll sind, inspirieren mich zu neuen Designs. Wir brauchen mehr Ideen, statt mehr Ressourcen!
Re-cycling findet immer statt, früh oder spät, mit oder ohne unser Einverständnis. Upcycling dagegen öffnet den geschlossenen Kreis des Recyclings, um ihn in eine aufsteigende Spirale zu verwandeln: Obsoletes neu zu arrangieren, damit etwas Besseres entsteht, etwas Überlegenes. Dies geschieht nicht ohne menschliche Entscheidung, ohne Kurswechsel, ohne Politik.
Amid growing concerns over global warming, plastic in our oceans and the problems of electronic waste, there are some developing solutions. In Finland Kierrätyskeskus (re-use centres) have been going since the early 1990s. Owned by the city council, but run independently, there are now eight shops in and around Helsinki offering second-hand, repaired and upcycled items. Everything is donated by the public, via drop off centres, or at the shops or via home collection. All profit is used to improve local environmental and waste services.
How can citizens, policy-makers and businesses co-design circular and regenerative cities?
The Maker Mile (www.makermile.cc) was mapped by Machines Room a FabLab just down the canal on Vyner Street; a cobbled cul de sac filled with wharfs and warehouses home to taxi mechanics, sign printers, and London’s oldest umbrella maker. Instigated by Clear Village and with support from Human Cities, Maker Mile launched during London Design Festival 2015 with Open Mile. For one night 12 spaces opened their workshops and the public could get involved with hands on making and behind the scenes tours of workspaces. Over 600 people collected a map, made locally at East London Print Makers, followed the trail on a rainy Monday night and experienced the thriving community, that many, including those already working there, hadn’t realised was on their doorstep.
Fab City Prototype: TOMORROW
After giving the group a general perspective on the spaces and people that are currently shaping the prototype, participants were invited to work on three particular subjects that are key to designing a roadmap for the future of the neighbourhood:
Fabrication & materials: with complementary production ecosystems happening inside the local network of Fab Labs, citizens have the possibility to produce what they consume, recirculating materials inside the neighbourhood and the city to reduce waste and carbon emissions associated with long-distance mass production and distribution chains.
Food production: growing food on the rooftops of Barcelona. Through urban agriculture practices, citizens can grow part of what they eat turning production of local clean food in a regular pat of their lives.
Energy: Renewable energy production. With the arrival of domestic batteries and the cost drop of solar technologies, citizens have the tools to produce part of their domestic energy consumption.
After giving the group a general perspective on the spaces and people that are currently shaping the prototype, participants were invited to work on three particular subjects that are key to designing a roadmap for the future of the neighbourhood:
Fabrication & materials: with complementary production ecosystems happening inside the local network of Fab Labs, citizens have the possibility to produce what they consume, recirculating materials inside the neighbourhood and the city to reduce waste and carbon emissions associated with long-distance mass production and distribution chains.
Food production: growing food on the rooftops of Barcelona. Through urban agriculture practices, citizens can grow part of what they eat turning production of local clean food in a regular pat of their lives.
Energy: Renewable energy production. With the arrival of domestic batteries and the cost drop of solar technologies, citizens have the tools to produce part of their domestic energy consumption.
1° Temporada Episódio 3 Ruídos, Beakmania e Ranho
Rá-Tim-Bum foi um programa infantil de grande sucesso produzido pela TV Cultura em 1989 indo ao ar até 1992. O Roteiro era escrito por uma equipe supervisionada por Flávio de Souza da qual faziam parte Cláudia Dalla Verde e Dionisio Jacob. Os atores veteranos Marcelo Tas e Carlos Moreno faziam parte do elenco. A Direção geral foi de Fernando Meirelles.
Com uma fórmula arrojada, com quadros livres, inovou a programação infantil, ainda presa de fórmulas estereotipadas. Ganhou vários prêmios, entre os quais a Medalha de Ouro no Festival de Nova York.
São um total de 180 episódios que foram reprisados durante muito tempo.
Com uma fórmula arrojada, com quadros livres, inovou a programação infantil, ainda presa de fórmulas estereotipadas. Ganhou vários prêmios, entre os quais a Medalha de Ouro no Festival de Nova York.
São um total de 180 episódios que foram reprisados durante muito tempo.
WasteAid shares waste management and recycling skills in the world’s poorest places.
1 in 3 people worldwide have to dump or burn their waste, causing the spread of disease, polluting the oceans and adding to the climate crisis.
Together with our partners, we develop waste collection and recycling programmes to build a cleaner and healthier future. You can help.
1 in 3 people worldwide have to dump or burn their waste, causing the spread of disease, polluting the oceans and adding to the climate crisis.
Together with our partners, we develop waste collection and recycling programmes to build a cleaner and healthier future. You can help.
When I walk, I get inspired by the things that I find in the street. So I’m just walking and collecting. I don’t have high-class friends. Because people know me as the person who just collects things on the street. People feel ashamed when they are with me. When you collect in the street, you look like a street boy or madman.
The Brighton Waste House is the first permanent building in the UK to be constructed from waste, surplus material and discarded plastic gathered from the construction industry, other industries and our homes. The idea, developed with Cat Fletcher of FREEGLE UK, is to test the performance of these undervalued resources over the next few years; the Faculty of Science & Engineering have put sensors in the external walls to monitor their performance.
A special programme exploring how we can reduce our impact on the environment while we make useful and beautiful things.
Com o objetivo de interromper o ciclo do descarte, retomar ou dar novos usos a equipamentos existentes, o Café Reparo reúne pessoas interessadas em reparar seus objetos e equipamentos e também a aprender a fazer pequenos reparos, aumentando a vida útil de objetos considerados facilmente descartáveis. É também uma provocação à curiosidade de descobrir como as coisas funcionam, abrir as “caixas-pretas” dos dispositivos que nos rodeiam no dia a dia.
In January 2020, FutureEverything, George P. Johnson and Cisco Refresh co-hosted an interactive makerspace exploring themes of the circular economy with over 1,000 participants. The makerspace, commissioned by George P. Johnson on behalf of Cisco, popped up at Cisco Live 2020, Barcelona (Cisco’s annual conference and expo attracting nearly 20,000 delegates each year) inviting attendees to reimagine and repurpose e-waste in creative ways.
a blog by greg giannis
Tens of thousands of people live in Zabbaleen, on the outskirts of Cairo, Egypt, they all make a living out of recycling the entire capital city’s refuse. Their whole town is practically a giant dump and it provides them with almost everything they need: from kids’ toys to fodder for livestock. Even their pigs play an important part in recycling food waste. Most important of all though, the dump provides livelihoods for the people of Zabbaleen.
Every one of the rubbish collectors plays their own part, gathering, transporting or sorting the rubbish. Collectively, everyone in the community performs a highly efficient job of recycling Cairo’s refuse. This allows the trash town to be self-sufficient and largely independent from the rest of the city. The place has its own rules, everyone is allocated their own patch of Cairo, no one would think of collecting from someone else’s area. Zabbaleen even has an unofficial mayor.
Trash town has its own shops, cafes and a local school for the children. Of course it’s every Zabbaleen parent’s dream for their child to get a good education so they can build a better life elsewhere. More commonly though, the kids start working on the dump at a young age and follow in their parents’ footsteps to become rubbish collectors as well. The people of Zabbaleen do wish their lives weren’t as hard but feel no shame in their occupation. They see their work as socially important and pride themselves in providing for their families. After all, it’s a dirty job but someone has to do it.
Every one of the rubbish collectors plays their own part, gathering, transporting or sorting the rubbish. Collectively, everyone in the community performs a highly efficient job of recycling Cairo’s refuse. This allows the trash town to be self-sufficient and largely independent from the rest of the city. The place has its own rules, everyone is allocated their own patch of Cairo, no one would think of collecting from someone else’s area. Zabbaleen even has an unofficial mayor.
Trash town has its own shops, cafes and a local school for the children. Of course it’s every Zabbaleen parent’s dream for their child to get a good education so they can build a better life elsewhere. More commonly though, the kids start working on the dump at a young age and follow in their parents’ footsteps to become rubbish collectors as well. The people of Zabbaleen do wish their lives weren’t as hard but feel no shame in their occupation. They see their work as socially important and pride themselves in providing for their families. After all, it’s a dirty job but someone has to do it.
Haver you ever wondered what happens to your electronics go at the end of their life?
Every year, almost 50 million tonnes of e-waste (electronic waste) are generated worldwide. A large volume of second-hand and condemned electronic goods arrive in developing countries from the "developed" world, with a significant quantity arriving as e-waste, exported illegally as "second hand goods".
This film presents a visual portrait of unregulated e-waste recycling in Ghana, West Africa, where electronics are not seen for what they once were, but rather for what they have become.
Every year, almost 50 million tonnes of e-waste (electronic waste) are generated worldwide. A large volume of second-hand and condemned electronic goods arrive in developing countries from the "developed" world, with a significant quantity arriving as e-waste, exported illegally as "second hand goods".
This film presents a visual portrait of unregulated e-waste recycling in Ghana, West Africa, where electronics are not seen for what they once were, but rather for what they have become.
In Japan, kintsugi is the ancient art of repairing what has been broken. Fragments of a dropped ceramic bowl are scooped up and put back together; mended using lacquer dusted with powdered gold that leaves the repair visible. The revitalised ceramic becomes a symbol of fragility, strength and beauty.
As I continued my Right to Repair research, I noticed that Apple kept coming up. Initially, I thought advocates used Apple as an example because the company is famous and iconic and because its use of repair restrictions is clear and communicable. But the deeper I went into research and writing, the more I realized that the champions of Right to Repair weren’t just picking on Apple because it is an easy target (let’s face it, Apple has always had its haters). People kept bringing up Apple because Apple was what the regulatory and legal worlds call a bad actor — a company with a known and established pattern of unethical behavior.
The Artist in Residence (AIR) Program at Recology San Francisco is a unique art and education program that provides Bay Area artists with access to discarded materials, a stipend, and a large studio space at the Recology San Francisco Recycling and Transfer Station. By supporting artists who work with reused materials, Recology hopes to encourage people to conserve natural resources and promote new ways of thinking about art and the environment.
Social studies of waste, pollution & externalities
Best known as the artist in residence at New York City’s Department of Sanitation, the septuagenarian Ukeles is having her first full retrospective, at the Queens Museum.
When tech culture only celebrates creation, it risks ignoring those who teach, criticize, and take care of others.
Artista visual e educador , aborda as questões ligadas ao uso das novas tecnologias e a sua desconstrução.
Realiza oficinas e workshops de tecnologia experimental para adultos e crianças.
Atualmente se dedica ao TinkerLabBR um laboratório maker itinerante que envolve microcontroladores, computadores, desconstrução de objetos de baixa tecnologia, brinquedos chineses e artigos de lojas de R$ 1.99 para criação de traquitanas interativas.
Realiza oficinas e workshops de tecnologia experimental para adultos e crianças.
Atualmente se dedica ao TinkerLabBR um laboratório maker itinerante que envolve microcontroladores, computadores, desconstrução de objetos de baixa tecnologia, brinquedos chineses e artigos de lojas de R$ 1.99 para criação de traquitanas interativas.